Showing posts with label Melissa Meyer. Show all posts
Showing posts with label Melissa Meyer. Show all posts

Wednesday, July 15, 2015

Jounral Entry #3

(Safe Haven by Nicholas Sparks)

 
How many Nicholas Sparks books have been adapted into movies? And of that number, how many have at least one person who dies in it?
I rewatched the trailer for The Longest Ride yesterday, and apart from a serious flashback to The Good, The Bad, and the Ugly, the movie actually looks really good. But I couldn't help asking myself, "Who's gonna die in this one?"
If you don't see my point, let's take a moment to look at Nicholas Sparks's novels-turned-movies:
  • The Notebook -They both die in the end.
  • The Lucky One -The husband dies.
  • Safe Haven -The ex-husband dies.
  • The Last Song -The dad dies.
Suffice to say that while I still do want to see The Longest Ride, I'm hesitant because I know someone's going to be offed by the end of it.
But as I was thinking about all of this, I couldn't help comparing it to other books-turned movies, or either entertainment medium in general.
Let's have another look, shall we?

(The Jungle Book by Rudyard Kipling)

  • The Fault in Our Stars -Gus dies.
  • Jurassic Park (the novel) -John Hammond dies.
  • The Little Mermaid (the book) -She dies.
  • The Hunger Games -EVERYONE dies.
  • The Lunar Chronicles -Garrett, Grandmere, and Dr. Erland die.
  • Dracula -Dead-ish.
  • The Lion, the Witch, and the Wardrobe -Jadis dies.
  • Pretty Little Liars (the first book) -Toby dies.
  • Little Women -Beth dies.
  • The Jungle Book -the one wolf dies.
  • 80% of Grimm's Fairy Tales -People be dead. Very, very dead.
  • 90% of Disney films -Someone (usually one or both parents) dies.
I guess this is a long-standing a tradition in storytelling: someone has to die. From oral cautionary tales to Big Hero 6. Even I'm guilty of offing people in my stories. I wonder if it's supposed to be more of an art-imitating-life kind of thing. It may be that the character or characters represented a symbol or a specific person to the writer, like Hedwig from Harry Potter representing Harry's innocence. It could very well be that the death of each character tries to show how the protagonist deals with death, and how they try and recover from it.
What do you think? When you read about a death, or see it in a movie, how does it effect you/the character/the story/the environment?

-Grace

Thursday, December 25, 2014

Darker Human Nature: Red Riding Hood

Have you ever wondered if iconic characters of books and television had a hidden side to them? What if Princess Aurora was a rebel? If she were depicted in modern times, would she be that bad girl who always went against her parent (or legal guardians, in Aurora's case)? What if Daisy Duck had a secret online shopping addiction? Was Ursula once a mermaid? Bits of a person's character that have only been touched on or never explored. In short, the darker human nature. My friend Mark Venturini loves to explore the darker side of human nature with his characters. For more on that, see my last post where we had a very interesting discussion about The Hobbit. But Mark inspired me to take a look at a few characters and explore their darker side -or hidden side, depending on which character we're looking at.
(Little Red Riding Hood by Isabel Oakley Naftel, 1862)

(Meghan Ory as Ruby/Red in ABC's Once Upon a Time www.pixgood.com )

(Little Red Riding Hood by Evanira http://evanira.deviantart.com )

I want to start with someone a lot of people are fairly familiar with: Little Red Riding Hood. In the tale by Wilhelm and Jacob Grimm, Red is depicted as a young girl, quite innocent, venturing into the mysterious forest to do a good deed: bring goodies for sick, old Granny. She ends up being swallowed whole by the wolf, but then saved by the Huntsman before she can be digested.... Charming. (The version by Charles Perrault, which came before Grimm's, is similar, except the Huntsman slays the wolf before he can eat the grandmother and Little Red.) In another version, while the wolf is threatening Red and her grandmother, Red pulls a gun from somewhere and handles the villain Old Western style. ABC's Once Upon a Time (which I'm terribly behind in) depicts Red as... wait, too much of a spoiler. But in Scarlet, a book by Melissa Meyer, the main character who is a depiction of Red Riding Hood is a streetwise farmer who is trying to find her missing grandmere. So you have lots of different perspectives on this one character, although a few details stay the same, like the red theme, the wolf, and the grandmother.
It's interesting that in each of the tales, Red has to go on some kind of journey. It's also interesting how from the Grimm's version to now, there is a perceptible decrease in Red as being purely innocent. It's as if the tale by Charles Perrault and the Brothers Grimm were the very start of Red's adventures, when she was a child, and as the story has evolved, the character has grown up and matured, becoming bolder and less predictable.
I like to think characters learn from their mistakes, even if they are make-believe. What did Red learn from all her experiences? Is the wolf merely metaphorical? Is the grandmother supposed to be the goal we are always trying to achieve, and the wolf the obstacles we must overcome? And what of Red's nature as a person? How did she change? Did she become more pessimistic or worrisome? Did the experiences make her braver? Did she crave danger? I think she would have made a good cop or PI. I don't know why, but for some reason those two just stick out to me.
Hopefully in a couple of days I'll have another character for you. Which would you prefer: heroes, villains, or secondary characters? Let me know in the comments. :-)

-Grace

Monday, May 26, 2014

Stirring the Fires of Imagination

I love Young Adult fiction! I don't know why, but some of these books just come up with the craziest concepts, or put a totally new spin on them. I just finished reading Cinder by Melissa Meyer and I am still buzzing with adrenaline. I love it. I'll post a formal review of it later but I think I finished in, like, a day? After work tomorrow I am planning on stopping by Walmart and oh so casually being like, "Oh, yeah, Dad, I need to run into Stuff-Mart real quick and pick up something... No just something. Do we need lemons while we're here?" I will probably have to pick up the next two books if they all end the same way Cinder did... not that that's a bad thing. ;-)
My brain feels on fire now. If I didn't have to get up early I would totally right into the wee hours of the night. How far away is the weekend? Curses. I guess I will just have to go without TV for a while. Hahaha.
But, seriously.
Going back to my opening statement, I do love Young Adult fiction, although some of it I'll relent can get tedious and predictable. But then there are those times when you pick up a book, read the book jacket, glance at a few pages... and abracadabra, you've got yourself a new summer obsession. I think I gravitate toward the YA genre because it offers a really colorful perspective for me. Hmm... let me see if I can word that better. When you pick up a book that you know has been written for adults, your brain enters into this mindset. You become really serious and any humor is dry, forced, or inappropriate. But with YA, I feel like there're no limits, no constraints. I've found myself trying to incorporate more and more of the real world and just logistics and things like that into my fantasy stories, and I truly believe they have suffered for it. Then I look at something like Hans Christian Andersen's The Little Mermaid and... have you ever read the original Little Mermaid? Yeah, it's ending is not Disney-approved, but the way he writes about the under-sea kingdom is magnetic. That's the word I would use. Magnetic. And mesmerizing. And beautiful. I love that YA novels have the capacity to be beautiful, funny, imaginative, captivating and new. Although certain criteria are usually met, I find the stories themselves wonderfully engrossing. And when they are spins on classis, like Cinder, it piques my interest even more. Yeah, I'm a sucker for the classics, and even more so for Disney, and this book just hit all the right markers.

-Grace